Welcome to BraggsvilleWelcome to Braggsville
a Novel
Title rated 3.15 out of 5 stars, based on 47 ratings(47 ratings)
Book, 2015
Current format, Book, 2015, First edition, Available .eBook
Also offered as eBook, First edition See item page for details. See item page for details
"From the PEN/Faulkner finalist and critically acclaimed author of Hold it 'Til it Hurts comes a dark and socially provocative southern-fried comedy about four liberal UC Berkeley students who stage a mock lynching during a Civil War reenactment--a fierce, funny, tragic work from a bold new writer"--
Born and raised in the heart of old Dixie, D'aron Davenport finds himself in unfamiliar territory his freshman year at UC Berkeley. Two thousand miles and a world away from his childhood, he is a small-town fish floundering in the depths of a large, hyper-liberal pond. Caught between the prosaic values of his rural hometown and the intellectualized multicultural cosmopolitanism of Berzerkeley, the nineteen-year-old white kid is uncertain about his place until one disastrous party brings him three idiosyncratic best friends: Louis, a "kung-fu comedian" from California; Candice, an earnest do-gooder claiming Native roots from Iowa; and Charlie, an introspective inner-city black teen from Chicago. They dub themselves the "4 Little Indians." But everything changes in the group's alternative history class, when D'aron lets slip that his Georgia hometown hosts an annual Civil War reenactment, recently rebranded "Patriot Days." His announcement is met with righteous indignation, and inspires Candice to suggest a "performative intervention" to protest the reenactment. Armed with youthful self-importance, makeshift slave costumes, righteous zeal, and their own misguided ideas about the South, the 4 Little Indians descend on Braggsville. Their journey through backwoods churches, backroom politics, Waffle Houses, and drunken family barbecues is uproarious to start, but will have devastating consequences. Using a panoply of styles and tones, from tragicomic to Southern Gothic, Johnson skewers issues of class, race, intellectual and political chauvinism, Obamaism, social media, and much more.
Born and raised in the heart of old Dixie, D'aron Davenport finds himself in unfamiliar territory his freshman year at UC Berkeley. Two thousand miles and a world away from his childhood, he is a small-town fish floundering in the depths of a large, hyper-liberal pond. Caught between the prosaic values of his rural hometown and the intellectualized multicultural cosmopolitanism of Berzerkeley, the nineteen-year-old white kid is uncertain about his place until one disastrous party brings him three idiosyncratic best friends: Louis, a "kung-fu comedian" from California; Candice, an earnest do-gooder claiming Native roots from Iowa; and Charlie, an introspective inner-city black teen from Chicago. They dub themselves the "4 Little Indians." But everything changes in the group's alternative history class, when D'aron lets slip that his Georgia hometown hosts an annual Civil War reenactment, recently rebranded "Patriot Days." His announcement is met with righteous indignation, and inspires Candice to suggest a "performative intervention" to protest the reenactment. Armed with youthful self-importance, makeshift slave costumes, righteous zeal, and their own misguided ideas about the South, the 4 Little Indians descend on Braggsville. Their journey through backwoods churches, backroom politics, Waffle Houses, and drunken family barbecues is uproarious to start, but will have devastating consequences. Using a panoply of styles and tones, from tragicomic to Southern Gothic, Johnson skewers issues of class, race, intellectual and political chauvinism, Obamaism, social media, and much more.
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- New York : William Morrow, an imprint of HarperCollins Publishers, [2015]
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