Playing in the Dark
Whiteness and the Literary ImaginationDownloadable Audiobook - 1992
Best known for her novels, Toni Morrison enters the realm of literary criticism to draw attention to the often overlooked significance of race in literature.
& Francis Publishing
Toni Morrison’s Playing in the Dark: Whiteness and the Literary Imagination is a seminal piece of literary criticism, and a masterclass in the critical thinking skill of interpretation.
Interpretation plays a vital role in critical thinking: it focuses on interrogating accepted meanings and laying down clear definitions on which a strong argument can be built. Both history and literary history in the US have frequently revolved around understanding how Americans define themselves and each other, and Morrison’s work seeks to investigate, question, and redefine one of the central concepts in American history and American literary history: color.. Morrison turned to the classics of American literature to ask how authors had chosen to define the terms ‘black’ and ‘white.’ Instead of accepting traditional interpretations of these works, Morrison examined the way in which ‘whiteness’ defines itself through ‘blackness,’ and vice versa. Black bondage and the myths of black inferiority and savagery, she showed, allowed white America to indulge its own defining myths – viewing itself as free, civilized, and innocent.
A classic of subtle and incisive interpretation, Playing in the Dark shows just how crucial and how complex simple-looking definitions can be.
Findaway World Llc
Best known for her novels, Toni Morrison enters the realm of literary criticism to draw attention to the often overlooked significance of race in literature. Demonstrating ‘the impact of racism on those who perpetuate it,’ she shows that the American literary themes of freedom and individualism depend on the existence of a black population that is manifestly not free. Morrison argues that literature is never raceless, and that equating whiteness with universality is the problematic element overlooked in literary studies. Morrison denounces the ‘color-blind’ approach, and asks that we open our eyes to the realities of race, representation, and power.